Beatrice di Tenda is a tragedia lirica in due atti on Felice Romani's libretto after the historic tragedy Beatrice Tenda. From the entire opera I chose to analyze the final part. In comparison with the other scenes, this ending, part of act II, scene 2, is shorter, but it is remarkably expressive, with a balanced construction. The scene is structured into four large fragments. It is remarkable the gradation mingling of voices: one can notice how the composer starts from presenting the theme with one voice and eventually combines three voices. ...

Today, the visualization of any idea is generated by digital technology. They became an integral part of everyday life and our professional work. Of course, they have a huge impact on cognition and education. Our educational system is developed, create new educational programs and platforms in response to the high expectations of young people in training in Fine Arts. The theme of this study was caused by increasingly complete penetration of digital technologies in the visual arts in the case in teaching composition at the chart. ...

Foundations, linkers and pigments are the alphabet in the complex and diverse language of painting. Not knowing the materials and technology often leads to processes of darkening, graying, opacity or blackening of the painting layer. All the materials that painters use are subject to modification from the moment of their use. Part of these processes develop regardless of the painter's skills but by studying the theory thoroughly he may be able to predict them. All too often the reasons for graying are problems with the primer, applying painting layer on a wet bottom layer, excessive use of turpentine oil etc. Opacity is even graying of all tones of the painting. If this occurs at certain places only, then this is a defect. Blackening of the painting layer is mainly due to formation of copper salts as a result of improper mixing ofpaints as well as quick drying of the oil. ...

The prominent Romanian composer Paul Constantinescu bequeathed some valuable works, which are distinguished by the originality of style and technique addressed. The Sonatina for violin and piano written in 1933 is dedicated to "my Master Mihail Jora" representing an important step in achieving a national musical language. Part I - Allegro moderato, Part II - Andante, Part III - Allegro assai proposing a sound of modal essence with themes inspired by the folklore. ...

The universal innovator of sculpture, one of the greatest artists of the twentieth century, who demonstrated that modern art while maintaining the fundamental characteristics, namely rationality, harmony, balance, measure, finds sources long before the period in which Mediterranean civilization was defined by Celery classical statuary, is Constantin Brancusi. The monumental complex of Tdrgu-Jiu, one of Brancusi masterpieces, can be regarded as a manifestation of ancient Romanian traditions related to the cult of the dead and a dedication to heroism. The assembly begins on the shores of Jiu river, symbol of the journey of no return, as water never flows only in one direction. Roundtable stone reminiscent of the meals for the dead unsoumoned or those who come to the great days. The seats, located far away from the table, are like silent shadows made for those that are not. ...

After great stylistic research, a period of true synthesis appears in the Latin-American music around the half of the XXth century. The national avant-garde features, imbued with personal esthetical approaches, are valued in a superior, anew and well-structured manner. The varied instrumental colours, with folk music echoes, are impressive, thus giving contour to the whole compositional process of national origin. ...

With this scientific work, we wish to reconsider the phenomenon of the acute stage-fear as seen from the perspective of the expert musicteacher, who can educate, control and ameliorate all psycho-clinical manifestations that occur during the young musicians' performance. ...

We can research Ottoman Empire to four segment; expansion, stagnancy, regression and downfall. Reason of downfall is contain internal and external dynamics. Positivism has created significant changes on art and science in europe but Turkish bureaucracy did not understand this progress and Turkey (Sembolised Muslims) stayed back from many perspectives. Plastic Arts was just one of them. ...

The Megleno-Romanians represent a particular part of the Romance-Language-speaking ethnography of the Eastern areas of Europe. Originating in northern Greece, they moved to Romania in the early twentieth century, hoping for a life free from the struggles and shortages of requirements that they had faced on their native territories. Currently, in the village of Cerna, the Megleno-Romanians boast a musical repertoire that is predominantly in their own language. This has led me to the premise that, within the context of the family, there has always existed there a pure Megleno-Romanian repertoire that has circulated orally until today. However their cohesiveness as an ethnic group in the village of Cerna has resulted in repertorial uniformity, since their songs are sung and their games played by all residents, regardless of their place of origin. Not only has the repertoire suffered from a lack of creative input, but it has also suffered from a lack of players of the instruments they consider traditional. The repertoire was attenuated by having to be adapted to the technical specifics of the performers on the tigulca, whistle, large pipe, and tambura for whom the songs were not written. Thus those songs and game melodies which could only be performed on the Gaida were lost. ...

The Romanian cultural word was irremediable marked by the communist regime of Nicolae Ceausescu's that started as a breath of fresh air for the artistic domain, and ended to be oppressive also because of the imposed aesthetics. From the early 70s the figure of Ceausescu and of his wife Elena, started to be more and more present as a subject in the cultural press of the time and in exhibition. By the 80s, the dogmatic formulas of representation were supposed to be ideologically accurate and were subjected to scrutiny to a committee formed by artist and official of the communist party. On festive occasions the head of the Artists Union had a public positions to encourage the production of works in which the Romanian ruler to appear as an exemplary hero of the nation. Such analyze of context has the purpose to give us a wider picture of Romanian cultural background that can help to better understand the premises of the Romanian art scene after the fall of the communist regime. ...